Konstruksi Laki-Laki Indonesia Dalam Iklan Kuku Bima Ener-G! ‘Jigojagajig’
Abstract
This research theme is a nationality associated construction into Indonesian Men on advertising Kuku Bima Ener-G!. This study was conducted to determine how and what are the practices that have been done ads producers when presenting the ads as a cultural product to the public audience. This study used critical discourse analysis methods, to obtain the data, carried out through an existing image in the ads. Image translates to obtain perceptions to be conveyed producers to consumers. This perception can be described, in turn were associated with how the perception of the image is related to a discourse on the global environment to determine the relevant context. Ad Kuku Bima Ener-G 'Jigojagajig' describes how the construction of Indonesian Men through visualization. Indonesian Men demonstrated through work always rely on physical strength. Meanwhile, when an ad is displayed on the screen, the era of masculinity has been in an era where masculinity is not only demonstrate their physical strength (still conventional masculine). But in the concept of modern masculinity, can also show softness possessed by men addition to the above findings, there is also a depiction of crippled in positioning of men and Women
Keywords : Construction, Man, Ads, Visualitaion, Masculine
ABSTRAK
Penelitian ini mengangkat tema kebangsaan dikaitkan konstruksi menjadi laki-laki Indonesia pada iklan Kuku Bima Ener-G!. Penelitian ini dilakukan untuk mengetahui bagaimana dan apa saja praktek-praktek yang telah dilakukan produsen iklan ketika mempersembahkan iklan tersebut sebagai produk budaya kepada khalayak masyarakat. Penelitian ini menggunakan metode analisis wacana kritis, untuk memperoleh data, dilakukan melalui gambar yang ada dalam iklan, gambar diterjemahkan untuk memperoleh persepsi-persepsi yang ingin disampaikan produsen kepada konsumen, persepsi ini dapat dideskripsikan, selanjutnya dikaitkan dengan bagaimana persepsi gambar tersebut mempunyai relasi dengan wacana yang ada di lingkungan secara global untuk mengetahui konteks yang relevan. Iklan Kuku Bima Ener-G! ‘Jigojagajig’ menggambarkan bagaimana konstruksi laki-laki Indonesia melalui visualisasinya. Laki-laki Indonesia diperlihatkan melalui pekerjaan yang selalu mengandalkan kekuatan fisik. Sementara ketika iklan ini dipertunjukkan di layar kaca, era maskulinitas telah berada pada era yang mana maskulinitas tidak hanya memperlihatkan kekuatan fisik semata (masih maskulin yang konvensional). Melainkan dalam konsep maskulinitas moderen, juga dapat memperlihatkan kelembutan yang dimiliki oleh laki-laki Selain temuan di atas, juga terdapat penggambaran yang timpang dalam pemosisian laki-laki dan perempuan.
Kata Kunci : Konstruksi, Laki-laki, Iklan, Visualisasi, Maskulin
Downloads
References
Anderson, B., 2006. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Revised Edition. New York: Verso
Bourdieu, P, 2001. Masculine Domination. Standford: Standford University Press.
Hogan, J., 1999. The construction of gendered national identities in the television advertisements of Japan and Australia. Media, Culture & Society, 21(6), pp.743–758.
Loomba, A., 2005. Colonialism/Postcolonialism (The New Critical Idiom). 2 nd Edition. London: Routledge.
Noviani, R, 2002. Jalan Tengah Memahami Iklan: Antara Realitas, Representasi, dan Stimulasi. Yogyakarta: Pustaka Pelajar.
Prastista, H., 2008. Memahami Film. Yogyakarta: Homerian Pustaka
Schroeder, J.E. & Zwick, D., 2004. Mirrors of Masculinity: Representation and Identity in Advertising Images. Consumption Markets & Culture, 7(1), hal.21–52.
Widyatama, R, 2006. Bias Gender dalam Iklan. Yogyakarta: Media Pressindo
For Bahasa Indonesia can be read here: Mengakui Pernyataan Hak Cipta
Authors who publish with this journal agree to the following terms:
Copyright on any article is retained by the Journal
- Author grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this;
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal;
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work;
- Every accepted manuscript should be accompanied by Copyright Transfer Agreement (CTA), prior to the article publication. CTA can be downloaded here;



